Rough Mock-Up of Gallery Layout Idea (7/24/25)

Paintings currently considering for show:


Painting #1:
Collage Mosaic (2024)
Egg tempera, acrylic gouache, and India ink on panel
22 x 32.75 inches / 55.9 x 83.2 cm


Painting #2:
Noah’s Ark (2025)
Egg tempera, acrylic gouache, and India ink on panel
16 x 20 inches / 40.6 x 50.8 cm


Painting #3 [work in progress]
Game Board (2025)
Egg tempera, acrylic gouache, and India ink on panel
47.5 x 33.75 inches

Painting #4 [work in progress]
Egg tempera, acrylic gouache, and India ink on panel
48 x 23.75 inches

Painting #5 [work in progress]
Egg tempera, acrylic gouache, and India ink on panel
26.75 x 48 inches

Painting #6 [work in progress]
Egg tempera, acrylic gouache, and India ink on panel
36 x 23.5 inches

Painting #7
Egg tempera, acrylic gouache, and India ink on panel
20 x 16 inches

Painting #8 – small painting in progress, could go on the small wall to the right of the ‘gallery guest book counter/window area’
Egg tempera, acrylic gouache, and India ink on panel
11.75 x 9 inches

Back-up Paintings, Already at Gallery, for More Options During Installation:

Wide Net (2024)
Egg tempera, acrylic gouache, and India ink on panel
18 x 24 inches / 45.7 x 61 cm

Heraldry Encyclopedia (2023)
Egg tempera, acrylic gouache, and India ink on panel
20 x 16 inches / 50.8 x 40.6 cm

Labyrinth Garden Plan (2024)
Acrylic gouache, rabbit-skin glue, and linen on panel

14 x 18 inches / 35.6 x 45.7 cm

Remaining Paintings in Morgan Lehman Inventory:

Mosaic Spiral (2025)
Egg tempera, acrylic gouache, and India ink on panel
20 x 16 inches

Black & White Mosaic (2023)
Oil and gesso on panel
14 x 18 inches

Things I’m thinking about and looking at:

  • Archaeological diagrams (especially of weaving and tapestry construction, and diagrams of ancient walls where every stone is color-coded)

  • Game boards

  • The brick-like composition of my collage books

  • Mosaics and textiles, and the way they mirror the digital / bitmap process in their simplification and crystallization of images

  • Quilts — especially Noah’s Ark quilts, and the Amish geometric ‘butterfly’ postcard (shown above)

  • Surfaces that fold over (scrolls, textiles, Mobius strip) where you can see multiple surfaces at once

  • Translating collage-books into paintings; rather than a computer algorithm deciding ‘how to pixelate an image,’ I’m making translation decisions square-by-square as I move across the grid